RESONANCIAS

The conscious composition contrasts with the interpretive perspective of a contemporary jazz trio, in a musical space where improvisation introduces contributions from the spontaneous, thus invoking the free spirit of art.

To do this, a selection of some of the artist's most representative sculptures is made, from which the musician proposes an exploration of the expressive and technical parameters that define languages, to discover emotional analogies, and invite the spirit of Chirino to resonate again.

TAKEO TAKAHASHI, Canarian-Japanese musician, drummer performer in very heterogeneous projects ranging from contemporary music, jazz, electronics, to popular or folklore, having played with Chris Kase, Javier Infante, Cristóbal Montesdeoca, Susana Travassos, Santiago Miranda , BigBand de Gran Canaria, Idafe Pérez, Miguel Villar, The Trees, Sergio Alonso, etc.

He is also a jazz composer with several albums to his name and with works focused on multidisciplinary research, such as “DIÁLOGOS DE LAVA”, with music for works by Néstor Martín-Fernández de La Torre, Pino Ojeda or César Manrique, Yoko Taira, recording together with Sergi Sirvent, Nadia Basurto and Juan Pablo Balcázar, or “EDO”, inspired by Hokusai.

He has a Higher Degree in Jazz (Musikene), a Master's Degree in Musical Research (VIU) and a University Expert in Body Percussion (Spanish Society of Body Percussion). He has been a professor at the Superior Conservatory of the Canary Islands, a senior professor at ESART in Barcelona, ​​and also teaches courses on the language of jazz, jazz drums, rhythmic improvement or improvisation, among many others. He stands out for his creative restlessness, thus promoting the production company MUSIC ROOM, with contemporary productions such as IMAGEN SONORA (Improvisation on the visual history of Gran Canaria | Winner of the CCA Cultural Projects Contest), educational productions such as JAZZ EN FAMILIA “A journey through a universal music”, compositions for television or the artistic production of the singer Patricia Legardón.

In 2023, and from electroacoustics, he is part of the multidisciplinary show of the historical work “Quartet for the end of time”, a work by Messiaen, together with Sergio Alonso, Ràdovan Cavallín and Juan José Laforet, he has also been selected as a speaker at the 1st Canarian Meeting of the Arts, while making forays into classical composition in parallel to his teaching in jazz. RESONANCIAS, "Jazz for the work of Martín Chirino", aims to promote the legacy and memory of Martín Chirino, and with it, the relevance of the art of the Canary Islands, with an innovative artistic approach, and an avant-garde artistic product of global interest.